For this assignment I started by looking back through my sketchbooks, I really liked the pieces I’d done using strong bold colours and fairly simple lines. I also noticed that although my theme book covers a general theme of ‘people’, a lot of the sketches are just portraits of faces. I especially enjoyed creating sketches or paintitngs of faces with lots of expression on them, like the monotone screaming faces.
I picked these two lino prints from my last lot of work to develop further, I wasn’t sure about the rough broken lines around the central triangle patterns though so I recut a new piece of lino with a plainer background, then made a larger and smaller version to experiment with too. Read the rest of this entry
Klimt is one of my favorite artists so I’ve been taking this opportunity to study his work further. This time I took some of the patterns and paintings I’d identified previously (here), and tried working up something similar myself. I noticed that Klimt’s patterns feel some how organic, they resemble fish scales, eyes and wildly growing plants. Personally I think the second one – semi circles on a cream background – looks especially effective and striking, even more so in real life. I also found that I managed to make all of these studies using only a small range of acrylic paints. These were White, Black, Cadmium Yellow Deep, Crimson, Ultramarine Blue and Burnt Umber – I later also added in some Gold as Klimt is well known for his ‘Golden Phase’, although I believe he actually used Gold Leaf, whereas I only had paint!
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I borrowed the book Drawn to Stitch by Gwen Hedley from the library recently as it seemed to fit in with the things I’ve been experimenting with whilst learning about making marks. The beginning of the book covers many of the areas that I’ve been studying lately, refering to different ways to draw and mark lines and then progresses on to the different background’s you can create to put these markings on.