For this exercise I managed to find two types of water-soluble fabric to try, one was a clear plastic film, and the other was opaque and felt more like paper. To start off with I tried out the plastic film with dark colours – I first stitched a grid on to the film with black thread using a straight stitch, then I went back over it using a zig-zag stitch in lots of different shades of blue and green trying to create a progression from to the other like you would find on the colour wheel. I spent a lot of time working on this piece as I thought it would require a lot of stitches to hold the new lacy fabric together, but when I dissolved the film I found my stitches had formed quite a hard and dense mat, so I decided with my next piece to try a few less layers of stitches. Read the rest of this entry
For this exercise I had to use a black background and two primary colours – I picked red and blue to work with. I tried mixing the colours together in two different ways, using small crosses and french knots. The crosses blend together when viewed from a distance, whereas the french knots are still very separate looking. I think the amount of background fabric showing through has a big effect here, with the french knots not much of the fabric is visible so theres a clear contrast between colours, but with the crosses a lot of black can be seen, which I think dulls the effects of the colours on each other. Also, the crosses don’t directly touch, just sit near each other, whereas the knots are pressed up against each other. Read the rest of this entry
I’d been finding the subject of colour matching, and which colours play nicely together very confusing so I attended a workshop run by a local artist called Vicki Norman. One of the first things we looked at was how to accuratly match a colour.
Order of matching when colour mixing.
- Hue – colour eg. red, blue etc
- Value – light or darkness
- Saturation – bright vibrant colour through to grey de-saturated ones.
For this exercise I had to express pairs of words using colours and marks. I chose the words happy/sad, bright/dull, active/passive. I worked in acrylic paints, and I’m most happy with how sad, and dull turned out, they feel to me like they contain a lot of texture, and I like the muted colours.
I then chose the evocative words envy and anger to try out colour associations on a larger scale! Read the rest of this entry
This exercise was all about mixing different colours and trying them out to see the results. I spent a lot of time playing around with colours (especially grey) whilst working through the book Colour: A workshop for artists and designers by David Hornung, as detailed in this post. That work was mostly done in gouache, but I also spent sometime experimenting with didffernt mediuims eg. oils, watercolours and acrylics as shown here.
This week the art class I attend was all about value perception. The theory is is that it doesn’t matter what hue (colour) you use to draw something, as long as all the values, ie. light / dark / medium, are correct then your brain will still be able to understand the picture. Read the rest of this entry
Colour: A workshop for artists and designers by David Hornung.
This book is one of the set texts for my current OCA course so I decided to work my way through it to try and gain as much knowledge as I could from it. In places it overlaps with some of my set work, so I’ve followed my course text instead of the book, but these areas are very similar so I’ll include them anyway. Read the rest of this entry
Tone, or value as I prefer to think of it as, is how light or dark a colour is. Depending on the colour sometimes this can be very difficult to work out so taking a photo and turning it black and white can help to work out relative values.
Whilst working on the colour section of my OCA course, I discovered an intense dislike for the colour green. I don’t usually include green in my paintings, or in my sewing activities by choice so I decided to force myself to give it more of a try.
This week my art class was all about trying trying out different mediums, so to embrace the colour green I went with an Ultramarine Blue and Cadmium Yellow in watercolour, acrylic and oil paint, which of course combine to make green. Read the rest of this entry