These sketchbook pieces are continuing my work on cells, they are created with watercolours, acrylic paint, paint sticks and collage. Read the rest of this entry
These are a collection of quick sketches in acrylic paint, water-colour, pencil, charcoal and ink-tense pencils. Some were done at a life drawing session, whilst others were done using photo’s. I tried using paint to sketch with after watching a TV programme about Tracey Emin which showed her sketching nudes for pieces similar to ‘I said No’ and ‘Waiting for it’. Tracey’s pieces are a lot looser and rougher than mine, something I need to work at. Read the rest of this entry
I didn’t enjoy this area of the course at all, and so ended up dragging it out over a long period of time which probably made it seem even worse. My hands can be stiff and shaky so i found spending any decent amount of time on these samples painful, and would often have to leave them for a few days before continuing. I much prefer to get a piece mostly or entirely finished in one go where possible, otherwise I feel it loses its flow, and my mind is always crammed full of so many ideas that I’m ready to move on to the next one. Read the rest of this entry
Experimenting with different techniques and materials.
I started this project by warping up my small loom with a dark blue acrylic DK yarn and practising making stripes with the same yarn in different colours, this produced a nice even piece, but the warp can clearly be seen, I’m not sure if this is just because it is darker than the weft yarns or if I didn’t beat it down hard enough. My next sample was made with a shiny DK cotton yarn and Ghiordes Knot’s, I tried to give it an ombre effect of one colour fading into the next, but I’m not sure how effective this was, the texture of it reminds me of a bath mat. Read the rest of this entry
Analysing colour, texture and proportion.
For this section I found a variety of pictures and tried to match some of the colours found in them, before creating a representative yarn winding of the proprtions of the colours used. Read the rest of this entry
The Work of The Textile Artist
I feel that textile artists and designers/craft-people approach a piece with a different outcome in mind. For example, when making a quilt to go on a bed, historically the quilt would’ve been a functional piece to keep people warm. The craftsperson would’ve used whatever materials were available to them, finding pieces of fabric and holding them together in layers for extra warmth. To prolong the life of these early pre-industrial fabrics which were very labour intensive to produce, they would’ve been patched and repaired, hence creating a more decorative patchwork quilt. The main function of the piece though would’ve still been to keep people warm. Even after people started designing simple geometric decorative patterns for the quilts, and using them to make their surrounding more beautiful or show off their wealth, the people making them never considered themselves to be artists and the items they made were still functional. Read the rest of this entry