These sketchbook pieces are continuing my work on cells, they are created with watercolours, acrylic paint, paint sticks and collage. Read the rest of this entry
These are a collection of quick sketches in acrylic paint, water-colour, pencil, charcoal and ink-tense pencils. Some were done at a life drawing session, whilst others were done using photo’s. I tried using paint to sketch with after watching a TV programme about Tracey Emin which showed her sketching nudes for pieces similar to ‘I said No’ and ‘Waiting for it’. Tracey’s pieces are a lot looser and rougher than mine, something I need to work at. Read the rest of this entry
I didn’t enjoy this area of the course at all, and so ended up dragging it out over a long period of time which probably made it seem even worse. My hands can be stiff and shaky so i found spending any decent amount of time on these samples painful, and would often have to leave them for a few days before continuing. I much prefer to get a piece mostly or entirely finished in one go where possible, otherwise I feel it loses its flow, and my mind is always crammed full of so many ideas that I’m ready to move on to the next one. Read the rest of this entry
Experimenting with different techniques and materials.
I started this project by warping up my small loom with a dark blue acrylic DK yarn and practising making stripes with the same yarn in different colours, this produced a nice even piece, but the warp can clearly be seen, I’m not sure if this is just because it is darker than the weft yarns or if I didn’t beat it down hard enough. My next sample was made with a shiny DK cotton yarn and Ghiordes Knot’s, I tried to give it an ombre effect of one colour fading into the next, but I’m not sure how effective this was, the texture of it reminds me of a bath mat. Read the rest of this entry
Analysing colour, texture and proportion.
For this section I found a variety of pictures and tried to match some of the colours found in them, before creating a representative yarn winding of the proprtions of the colours used. Read the rest of this entry
The Work of The Textile Artist
I feel that textile artists and designers/craft-people approach a piece with a different outcome in mind. For example, when making a quilt to go on a bed, historically the quilt would’ve been a functional piece to keep people warm. The craftsperson would’ve used whatever materials were available to them, finding pieces of fabric and holding them together in layers for extra warmth. To prolong the life of these early pre-industrial fabrics which were very labour intensive to produce, they would’ve been patched and repaired, hence creating a more decorative patchwork quilt. The main function of the piece though would’ve still been to keep people warm. Even after people started designing simple geometric decorative patterns for the quilts, and using them to make their surrounding more beautiful or show off their wealth, the people making them never considered themselves to be artists and the items they made were still functional. Read the rest of this entry
These are some of the recent pages from my sketchbook.
I really enjoyed this assignment as it contained a good mixture of stitched samples and painting. I find making stitch samples relaxing and enjoyable but it can be very time consuming, whereas painting and sketching is much faster but requires more concentration, and produces more pieces I deem to be failures. This time whilst working through the exercises I tried to place more emphasis on colours, as I feel this is something I struggle with, so I took it as an opportunity to look at work by Josef Albers and to collect many examples of colour schemes that work well together, which I can then use in my own projects in the future. My favorite colour scheme so far has to be intense blues and greens you would find in a peacocks tail, and I used these a number of times in the fabric manipulation section. Read the rest of this entry
My Theme Book is all about people. I’ve collected many pictures and postcards that have inspired me, and developed pieces of my own from these using sketches, paint and fabric.
I found these beautiful portraits painted by Francoise Nielly, they are made with thick oil paint and a knife. I’m not quite that adventurous yet, so I made a similar one with acrylic paint and a brush, I feel it is a good start but needs much more colour adding to it. I had a second attempt using larger areas of brighter colour but I don’t feel that it works, it seems too flat and lacks the depth of the original pieces. Read the rest of this entry
I believe that craft-produced (or hand-crafted) textiles still maintain a place in modern society as they are a way for people to express themselves, their thoughts, feelings, emotions and sense of individuality. I know from personal experience the feeling of accomplishment when finishing a project, and even greater joy if other people praise it. If it happens to be something like a dress, then I can walk out proudly knowing that no one else has the exact same one, and that my choices in fabric and construction techniques say a lot about who I am, what I like and how skilled I am at making something. Even a simple drawing gives you the freedom to express how you’re feeling inside, so every piece produced by a crafts person has a story to go with it, something a mass produced item doesn’t. Read the rest of this entry